Ever since junior high, I have been a pushover for those 'helpful hints' columns.... The first thing I ever had published was actually a tip sent in to a Home Ec magazine in 7th grade, for which I received $1! Well, with riches like that available, you can see why I keep trying to find clever uses for things that will make jobs easier!
Check this site around the first of every month for a new tip, and, Happy Quilting! And remember to hit your 'refresh' or 'reload' button, otherwise your computer may only see the last version of this page you looked at, rather than the current version.
Worried about if you turned your iron off at the end of your work session? Plug your iron and floor lamp into a multiple outlet. Place the multiple outlet on your ironing station. Turn on your lamp. You now have good lighting at your ironing station. From now on, ONLY turn the lamp on and off by turning the multiple outlet on and off. That way, when you are done working for the day, and you turn off the light by turning off the multiple outlet, you will also be turning off the power to the iron. If the light is on, it is a sign that there is power going to the iron.
To make batteries last in a flashlight, turn one battery around and put it in the wrong way. (Mark it with tape or a sticker so you know which one is wrong). That way, the batteries won't drain while the flashlight is in storage. Turn it the right way when you want to use the flashlight.
Binder clips(see May 2018 tip) also work well instead of pins if you have thick areas to hold in place that are difficult to use pins for, such as bindings. I also like using them for 'fabrics' that are difficult to pin, such as oilcloth or vinyl.
Traveling? Ever been annoyed at night because the curtains at your hotel do not close completely? Tuck a binder clip into your travel bag. They work great for holding curtains closed so you can get a good night's sleep. Just remember to reclaim it in the morning before you check out.
Quilting is so much easier when you can see what you are doing. Here is what I have learned about LED lights. Watts tells how much energy the bulb consumes, not how bright it is. LUMENS tells how much light you are getting. More lumens = brighter light.
To replace a 100W incandescent bulb, use an LED with 1600 lumen. For brighter light, look for more lumens. Replace a 75w bult with an LED bulb with 1100 lumens Replace a 60W bulb with an LED bulb with 800 lumens Replace a 40W bulb with an LED bulb with 450 lumens
Be aware that not all Ott lights are the same. They have different amounts of lumens. Ott lights are great because they color correct to natural day light, but again, you will want a light with 1600 or more lumen to illuminate your work area well.
Well, it didn't take long. I got a new iron last month, and already I had a fusible web mishap. I got web all over the soleplate of my iron. Internet to the rescue! I found suggestions to iron a dryer sheet to remove fusible web off your iron, and it works like a charm! I put a piece of muslin on my ironing board first to protect it from the fragrances of the dryer sheet, topped it with a dryer sheet, and ironed with a hot iron. The gunk all came off and the iron looks like new.
I just bought a new iron. Not because my old one was leaky, but because it just wasn't getting hot enough to suit me any more. Most of the reviews I read about irons complained about irons leaking after a while. I make my irons last longer by never putting water in them. If I need steam, I use Best Press (see Feb 2009 tip) or a plant mister filled with water (see June 2005 tip). Either will allow me to create steam right where I want it without creating the mineral deposits inside my iron that will shorten its life.
January is the time to put up new calendars. One of my favorite is a Farmers Almanac calendar, but I find that the paper it is printed on is not as heavy as some, so after a few months, the edges along the top of the calendar start to curl. My solution is to use a binding sleeve from a report cover (available wherever office supplies are sold) to slide across the top pages of the calendar. It holds everything in place beautifully and gives a firm edge to the top of the calendar.
In the November tip, I talked about using a variety of fabrics for the background position in my quilts. Buying only backgrounds on a shopping trip can be rather boring. The way I add to my collection of backgrounds is to include a few pieces of background every time I shop. That way, my supply of backgrounds will grow. How much to buy? I usually get backgrounds in 1/2 yard pieces. Because I am using several in a quilt, running out of a particular fabric is not an issue.
I make a lot of scrap quilts, that is, quilts with lots of different fabrics in them, including lots of different backgrounds. It doesn't have to look haphazard. I choose background fabric that is all one color but contains different patterns on it. I use a combination of light tans, medium tans, and slightly darker than medium tans, but all lighter than the colors of the quilt patterns. Designwise, this variation in fabrics creates a subtle movement in the quilt while removing the pressure of being sure I have enough of one fabric to do the entire background out of one fabric.
The trick to this, if you choose to do it, is to use more than two fabrics for the background. Two looks like you ran out of one and had to fill in. Three or more looks like it was part of the master plan from the beginning.
Expanding on the Nov 2009: Never feel compelled to finish something just because you started it. Consider passing along unfinished projects. I have to be careful when I give this advice in class, because I have had students bring me their unfinished projects. I don't mean give them to me! I did make good use of them, however. A call went out for 12" blocks for a quilter to work on. Due to her health, she had lost many of her quilting skills, but did still enjoy having small projects to quilt. Passing along a stack of 12" blocks cleared them off of my shelf and gave her projects to work on. It was a win-win for both of us.
Hanging shelves that can be hung in your closet make a space-saving place to store quilt tops. Fold the quilt tops on the diagonal to reduce creases, and stack several in each of the storage compartments, as space allows.
You can store more quilt tops per linear inch of closet rod in one of these units than if you placed each one on its own hanger.
Sawtooth picture hangers work well for hanging miniature quilts. After the quilt is complete, flip it to the back side. Find the center of the top of the quilt. Mark with a pin. The center of the sawtooth picture hanger is marked with a raised bump. Match that to the center of the back of the quilt. Stitch the ends of the picture hanger to the back of the quilt with a few whip stitches. Now you can hang the miniature quilt as you would a framed picture.
While not quilt related, this hint is for summertime living. We have a sliding screen door that leads out to our deck. I hate to admit how clutzy I can be sometimes, but I have been known to walk into it, especially when my hands are full and I am not paying attention. In my defense, I have seen others do it too, including the grandchildren when they are running and playing. My solution is to take magnets and pair them up, one on the inside, one on the outside, so they adhere to each other. I did this in half a dozen spots on the screen, at eye level. Now I notice the screen before I run into it. Silly, I know, but it helps. Happy Summer!
For best results, use a low lint thread, one that is smooth with no fuzz along it. It is stronger, because there is a better twist to it in the manufacturing process, plus it keeps the bobbin mechanism and feed dog areas cleaner, resulting in better stitches. My favorite thread? Aufifil brand: low lint means it is a smoother thread. This gives an added bonus of more yardage being loaded onto your bobbin so you have to refill less frequently.
I have talked about sewing machine needles in the past, but this statement that I read really helps to drive the point home. Sewing machine needles are tools, not heirlooms. Change them often. It is recommended that you put in a fresh needle after about every 8 hours of sewing. This will give you the best stitch quality and help insure that you don't damage the bobbin mechanism of your sewing machine by having a dull needle.
Although you may buy fabric for a specific project, there is nothing that says you have to use it for that project. If you decide not to do the project, or that something else will work better, add the fabric to your general collection. Let it recombine with other fabrics to become something else.
While this may sound pretty basic, I had an interesting situation with a student recently where she had set aside fabric for a project, but decided she didn't really want to do the project any more. Rather than add the fabric to her general collection, she kept it set aside. Let it go! Not everything that interests you at one time may interest you all the way through completion. It is ok to change your mind on doing a project. Life is short. If something isn't exciting any more, give yourself permission to move on to something that makes you happy.
This has nothing to do with quilting, but in acknowledgement to the fact that we do all have lives outside of quilting, these shower curtain hooks are just so darn clever I had to share.
I like having a plastic shower curtain liner and a cloth shower curtain. I was always annoyed when it came time to replace the liner because I had to unhook everything to remove the liner and hang the new one. These shower curtain hooks are double sided: one side for the liner, one for the curtain, with no hooks to clasp and unclasp. Now it is easy to remove the liner without having to unhook everything and just hang the new one. I found mine at Target, but I see online that they are also available at Walmart and Amazon. They are available in different finishes. Enjoy!
Last February I told you about Grandma's Secret Spot Remover. It is the best thing I have found for stain removal. I have found that it also works great in removing unwanted pencil marks. Using a soft toothbrush, I first lightly dampened the pencil mark with water, then gently rubbed a tiny amount of the spot remover on the pencil marks. Blot with a white washcloth to remove excess water.
In addition to being able to find this product at Michael's Craft store, I have also seen it in hardware stores. As always, test it on a sample swatch first.
I know some people do not care to do Hand Applique. They find it difficult to get good results. Allow me to suggest that there are many ways to hand applique. I know the method I use is very different from the way that is often described in books, and I get lovely results. With this in mind, I encourage you to search out the work of someone whose applique you admire and take a class from them to see what method they use. It may work for you too!
One tip that may help is to try switching to a smaller needle. A needle that is too thick will make it difficult to pierce the fabric where you want to, resulting in stitches that are not invisible. Needles are sized by number. The higher the needle, the thinner the needle is. If you have been working with a size 8 needle, for example, try switching to a size 10. It will be slimmer and easier to insert in the fabric.
The holidays are coming. Looking for a gift idea? Expand on the November 2015 tip of framing orphan quilt blocks. Other great candidates for framing are molas, hmong applique blocks, crochet doilies, bands of antique lace, and old-fashioned embroidered handkerchieves. Get them out of the closet and into frames to create a lovely keepsake.
Turns out I had been using my seam ripper incorrectly all these years. If I ever knew the correct way, I had forgotten, so for others who may be in the same situation, this hint is for you.
For years, I placed the long pointed blade of the seam ripper under the line of stitching, with the red ball end of the seam ripper laying within the seam allowance. Since that sometimes resulted in cutting the fabric by mistake, I then used the long pointed blade to pluck out stitches one at a time, or to slice through every 3rd or 4th stitch, then pull the layers apart.
Turns out that if I flip the seam ripper over, and place the red ball end below the line of stitching and the long pointed end between the layers of the seam allowance, the red ball helps to separate the layers of cloth so the blade in the U portion can cut the stitching without cutting the fabric. When you place the seam ripper in this position, you can easily zip through the line of stitching. As always, go slowly and with care, but this has turned out to be a much easier way to use the seam ripper. Thought you would like to know!
Using the right size pin for the job can improve your quilting skills. Applique? Use 3/4" pins. Their short length works in your favor to insure that you aren't taking too big a bite of fabric when you pin layers together. Too large a bite can allow the background fabric to slide around behind the applique shape, causing the piece to not lay flat when completed. Tip: use 3/4" pins with a glass head. They will be easier to grasp.
Piecing? Use 1" slender pins. The thinner the pin, the less it will dislodge layers as you pin them together. Again, take as small a bite of fabric as possible when pinning layers together so layers don't shift out of alignment. This will improve your pinning accuracy.
Pinning layers of backing-batting-quilt top together? Use 1 3/4" pins with large glass heads. The long length of these pins is made to accommodate the thickness of the three layers you are pinning together.
With school supplies on sale now, it is a good time to look for a collapsible milk crate on wheels. These are not only great for hauling class supplies to a workshop, but also for storage at home if you don't have a dedicated sewing space. Wheel everything into the closet to store it, wheel it out when you are ready to sew. They can be found at office supply stores as well as big box building centers, such as Lowe's and Home Depot.
Why prewash your fabric? Fabric has a finish on it to make it look smooth on the bolt and have good body when handled. The finish on the fabric will gum up the needle on your sewing machine which can cause skipped stitches. Finishes may contain formaldehyde which can cause irration to eyes and nose when the fumes are released by ironing, and allergic reaction upon contact with skin. Excess dye in fabric is released when the cloth is washed, which can cause bleeding and staining on other fabrics in your quilt.
Prewashing fabric before use removes the finish and gets rid of excess dye. Be aware that some laundry detergents, if they contain stain removers, can continue to cause dye to be released even after the initial washing. Do not use detergent that contains stain removers. When prewashing fabric, it is a good idea to place a "Color Catcher" in the wash with the fabric. Any excess dye will stick to the Color Catcher rather than staining anything else in the washload.
My June 2014 hint was about using ground walnut shells as a filler for pincushions. I love the weight of it, and it keeps pins and needles sharp. But,be cautious! If you or a loved on have a NUT ALLERGY, do NOT use ground walnut shells. It never occurred to me that this may be an issue. When you buy pincushions, inquire as to the contents of the filler.
One of the questions I get asked is why do I use fabric cut on the bias for binding rather than fabric cut on the straight grain. Excellent question. When straight grain fabric is used to bind a quilt, the fold of the binding on the edge of the quilt is along one thread of the weave of the cloth. All of the stress rests on that one thread, causing it to weaken and split after time.
When you use fabric cut on the bias to bind a quilt, the weave of the cloth is on the diagonal and there are many threads wrapping around the edge of the quilt rather than the fold being along the straight grain. This distributes the stress and makes for a stronger binding that lasts much longer.
I have had people express concern that bias binding takes much more fabric. Actually, is doesn't. When you cut fabric on the straight grain, it works best to NOT join the strips with straight seams. Straight seams cause too much bulk when the binding is folded around the edge of the quilt. Joining the strips with a 45 degree seam (so the bulk of the seam is distributed around the edge of the quilt) will give you a much smoother edge. For every seam that you create, you lose some of the length of the strips. Joining two strips of 2" wide fabric that are 40" long with a 45 degree seam will result in a strip 78" long. You have lost 2". Cutting fabric on the bias gives you naturally angled edges to join, so no length is lost in the construction.
Having trouble choosing fabrics? Check to see if your local quilt shop offers a fabric selection class. A shop I taught at many years ago asked me to develop a fabric selection class for them and it has become a staple among my class offerings. No projects, just learning how to look at fabric in a new way so that choosing what fabrics go together becomes much easier!
I offer this class at least three times a year at Mill House Quilts in Waunakee, WI. It is one of the many class options I can bring to a guild or shop near you.
As a follow up to last month's tip on investing in quality thread: Sometimes it is difficult to find the start of a new spool of thread. Aurifil, the brand I told you about last month, passes along this tip for their threads. If you have difficulty finding the end of the thread on a new spool, simply twist off the base of the spool. The end of the thread is captured there.
Invest in quality thread. Bargain bin thread is no bargain. Cheap thread is not tightly spun, creating thick and thin spots in it. It will create excessive lint in your sewing machine which can jam the feed dogs of your sewing machine as well as blockage in the bobbin area of your machine. Bargain thread is often the cause of thread breaking when you stitch. I have seen people use cones of serger thread in their home sewing machine. Serger thread is thinner than regular sewing thread because it is meant to be used with multiple threads on a serger. It does not have the strength to make a good seam that will last.
You are investing in the fabric for your projects, as well as your time. Skimping on thread will only result in a product that will need to be repaired because of split seams down the road. You deserve better. Buy good quality thread. My favorite? Aurifil makes a lovely thread for machine sewing as well as hand applique. The spools are may seem to be more expensive, but keep in mind that they contain lots more thread than most brands. Because the thread is so smoothly spun, it loads more on a bobbin which means I have to refill the bobbin less frequently. That alone gives it bonus points in my book!
We all have been plagued with stains at one time or another. The best product I have found for removing stains is something called Grandma's Secret Spot Remover. I found it at Michael's Craft Store (in the glue section, of all things), but have also seen it in quilt shops. It has even removed set in stains, and I have had no problems with it removing the color on anything. As with any stain remover, however, be sure to test it first in an area that won't show. Give it a try. I think you will like it!
Do you have buttons? I can remember that as a kid, I spent hours sorting and playing with my mother's button collection. When I was done, they would all go back in the various tins she saved them in. Fast forward to my own growing button collection. I was captivated when I saw a picture in a magazine of a jar of just white buttons. I loved the simplicity and elegance of it! Placing the buttons in a glass jar allowed me to enjoy the texture and design of them and they became something decorative in my studio.
I began sorting my buttons by color and collecting pretty glass jars. The white buttons and the black buttons each got their own tall jar. A set of squatty small canning jars was perfect for sorting the colored buttons. One for red, one for yellow, one for green, one for blue, and so on.
Then came the hunt for a storage unit that was made up of small cubby holes. Hurrah for Target and their build-it-yourself closet storage units. I found one that had six 8" cubby holes. Each was perfect for stacking 3 of the canning jars, with a few cubby holes left over for displaying other sewing treasures. I now have a shelving unit on top of the bookcase in my studio filled with a rainbow arrangement of canning jars, and I love it! The colors make me happy, and the organization is lovely (I prefer lovely to compulsive, thank you very much!)
Do you have buttons? It may be time to get them out and play with them!
Do you have an orphan quilt block? Something left over from a project, or a project you have lost interest in?. Try making a mug rug out of it.
A mug rug is like a mini placemat, something just the right size to park your mug or teacup, and perhaps a little snack. Single blocks that have been quilted and bound are the perfect size for a mug rug, and these make lovely little gifts! Be sure, though, to explain the 'mug rug' concept. These are NOT safe to use as potholders unless you have put sufficient padding in them!
Do you have an orphan quilt block? Something left over from a project, or a project you have lost interest in?. Try framing it.
Since most quilt blocks are square, I keep my eyes open for square picture frames that come with precut mats. Look for mat openings that are compatible with quilt block sizes. Frame your orphan block. They make a lovely gift and are a homey touch for decorating small spaces. Once framed, it is no longer an orphan, and you have completed another project!
Fabric a little too bright for where you want to use it? Try tea or coffee dying it. Tea will give it a warmer golden overtone, whereas coffee will give it a cooler reddish overtone. To dye you fabric, start with a small sample to see if you like the results first. Wash the fabric to remove any sizing that may be on the cloth. While it is wet, submerge it in tea or coffee and let it soak until it is just a little darker than you want. Rinse it out. This will bring it back closer to the color you want. Pat out the excess moisture, then heat set the stain. (After all, that is what dying is, staining the cloth). You can heat set it by running it through the dryer or ironing it dry. If ironing it dry, be careful not to scorch the cloth.
September is a great time to stock up on office supplies. Compressed air, used to clean things like computer keyboards, works great for blowing the lint out of hard to reach places on your sewing machine. Read the instructions first. Do NOT shake the can. Spray out your bobbin case as well as the housing the bobbin case fits into. Don't forget to spray out the area behind the bobbin case. Little pieces of thread can get stuck there. Next, check your sewing machine manual to see what it says about oiling your machine. Some recommend it, some do not. If yours does, once your machine has been cleaned out, a few drops of sewing machine oil will lubricate areas that the lint has sucked dry. Happy Sewing!
When giving a quilt as a gift, include several color catcher sheets with instructions on how to use them when laundering. The quilt owner will thank you to have care instructions for their very special gift, and you can be assured that there won't be a problem with fabrics bleeding when the quilt is washed.
If you don't know about Color Catchers, you need to. Color Catchers are sheets that look like dryer sheets but they are used in the wash. Whenever you wash fabric that is a color that has a tendency to bleed (such as dark blues, reds, purples, etc.), toss in a Color Catcher sheet. The sheet will pick up the loose dye and prevent it from depositing on other fabrics in the wash.
I prewash all my fabric before using it in a quilt. Color Catchers are used with the dark fabrics. I have even found them to work great on a quilt that was made with one piece of hand dyed fabric that had not been prewashed and had bled purple all over the light fabric in the quilt. The bleeding happened about 10 years ago and I just put the quilt in the back of the closet, hiding it from sight. It occurred to me that I had nothing to lose, so I washed the quilt again with a couple of Color Catchers. Sure enough, it reabsorbed all the dye that had bled and the quilt looked like new again.
Color Catchers are made by the same people that make Shout stain remover, and can be found in the laundry aisle.
Orangewood Cuticle Sticks are handy sewing tools. The pointed end can be used to help control the fabric as it feeds through the sewing machine. The beveled end can help manipulate the presser foot when you guide areas of bulk through the machine. As you approach the bulky area, stop with the needle in the fabric just before the bulk. Slightly raise the presser foot so you can slip the beveled end of the cuticle stick under the back of the presser foot, thereby raising the presser foot slightly. Put the presser foot back down. It will be raised a bit in the back by the beveled end of the cuticle stick and will now lay smoothly on the bulky area instead of being tilted on it. Stitch through the bulk, remove the cuticle stick, and continue stitching as usual. Thanks to Ann Tully for this tip!
Sewing accurate 1/4" seams can be a challenge. If you have problems with the seam allowance getting wider or narrower at the end of the seam regardless of how carefully you hold the fabric, it may be time to clean out the feed dog area of your machine. Remove the throat plate and thoroughly brush out the lint in and around the feed dogs (the jiggy jaggy things that make the fabric move). Lightly oil the moving parts of the feed dog area with sewing machine oil (other oils are too thick and will gum up the machine) and reassemble the throat plate. This will allow the feed dogs to more accurately feed the fabric through the machine and will improve the accuracy of your seam allowances.
After you have completed the first step of machine stitching binding to the edge of your quilt, you may want to have a few of bobby pins on hand. As you fold the binding over to encase the raw edge seam allowance, try bobby pinning the folded binding in place as you prepare to do the final hand stitching. Sure beats stabbing yourself with sewing pins for this step!
Take a look at your hand position as you sew. Do you have one hand on fabric in front of the needle and one hand on fabric behind the needle? STOP. Do not pull the fabric through the machine. That can cause bent or broken needles, either of which can end up damaging your bobbin mechanism, which is a very costly repair. Try putting both hands in front of the needle. You only need to guide the fabric to the needle. The feed dogs will pull the fabric through the machine.
If the fabric is being sluggish about going through the machine, you may have too small a needle in the machine for the thickness you are trying to sew through. Try switching to a larger needle (the higher the number, the larger the needle... a size 90 is larger than a size 75 for example). Or, remove the throat plate on your machine and dust out the area around the feed dogs. Lint may have gotten packed in there making it difficult for the feed dogs to do their job.
If you have caught the labeling bug as described in last month's hint, here is another aspect of my obsessive compulsive nature I will share with you. When labeling several notebooks that will be stored on a shelf together, place a small post-it note on the spine of the notebook as a spacing guide before attaching the label to the notebook. By using the same spacing on all of the notebooks, the labels will line up nicely when the notebooks are on the shelf. It will make you look so organized!
One of my favorite office supply store finds is a label maker. I feel so organized when I can put things in folders or notebooks and put a neatly printed label on it. Brother makes several models of P Touch Labelers that are inexpensive and easy to use. The label tape comes in enclosed cases that just snap into the device and you can get them in a variety of colors of tape as well as colors of print. The label maker itself is a mini-keyboard that is hand held and you can type in anything you want to make a label for. Notebooks? Done. Your quilting tools? Easy. Spice bottles? Why not. The kids' toothbrushes? Sure. It's fun! Label to your heart's content.
Last winter I went on a fleece project binge, making 6 dozen hats to donate to area hospitals for cancer patients. It was a fun project, but made a mess of my cutting mat. Bits of fleece got stuck in my cutting mat. Solution? The white plastic eraser used to remove pencil marks from fabric (sometimes called Quilt Eraser, or Magic Eraser... not to be confused with the Mr. Clean brand Magic Eraser). I used it to erase the fleece bits from the mat. Worked great!
Label your quilts with at least your name, the date the quilt was made, and the location it was made. You can also add other information like who the quilt was made for, the occasion for which it was made, and the name of the pattern. If you are putting this information on a separate label that you are then stitching onto the quilt, remember to quilt through your label for security. If your quilt is ever stolen, it is much harder to remove a label if has been quilted in place.
Folding quilts, whether for travel or for storage, can cause permanent crease marks in the quilts where the batting gets compressed. Instead of folding ON THE GRAIN of the fabric, neatly into squares or rectangles, try folding the quilts ON THE DIAGONAL, or on the bias. I found that this eliminates creases where the folds are. I tried this on a trip recently where I had to pack quilts tightly to fit them in my carryon suitcase. After 2 days in the suitcase, the quilts came out with NO CREASE LINES. I am now a believer!
Following up on the August 2014 tip regarding the grain of thread: if you are having trouble threading your needle, it may be because you are working against the grain and trying to thread the wrong end of the thread. Try threading the other end into the needle.
Because of the way thread is twisted when it is manufactured, it has a 'grain'. To work 'with the grain' of the thread (thereby reducing tangles and twisting): the end of the thread that comes off the spool is the end that goes in the eye of the needle. The end you cut when you cut off your length of working thread is the end that gets knotted.
Good lighting is imperative for doing good stitching, whether it be by hand or by machine. This month, I want to talk about lighting for hand quilting. I quilt with a lap frame. This allows me to have one hand on top of the frame and one hand underneath the frame, for lovely uniform stitches on both the front and the back of the quilt. Placing a floor lamp next to my work station on the same side of me as my UNDERNEATH hand works best. If it was on the same side as my ON TOP hand, my hand would cast a shadow on my work. This concept holds true for any type of handwork. Think about where your hands are when you position your lamp, and be sure you are not casting a shadow on what you are trying to see.
Try using ground walnut shells as the filler for your pincushions. It keeps pins and needles sharp. Ground walnut shells can be purchased at pet supply stores. It is used for reptile bedding. I love the weight of it, and it keeps pins and needles sharp. But,be cautious! If you or a loved on have a NUT ALLERGY, do NOT use ground walnut shells. It never occurred to me that this may be an issue. When you buy pincushions, inquire as to the contents of the filler.
Having problems with your ruler slipping and sliding when you are rotary cutting? Try putting some strips of Nexcare brand flexible clear first aid tape on the underside of the ruler. It is thin, so it doesn't create bulk on the underside of the ruler, it is clear so it doesn't obscure the markings on the ruler, and it is textured, so it grips the fabric and helps to hold the ruler in place as you cut.
Leftover binding? Wrap it around an empty paper towel tube (or gift wrap tube). This makes a neat and tidy way to store binding and keeps it neatly pressed so it is ready when you want to use it. This really came in handy when I was making mug rugs and pot holders. I had a stash of leftover binding all ready to use!
When pressing, I prefer using a dry iron, but when steam is required, try spraying the ironing board first, then placing the item to be pressed on top of it. This way, the steam will rise from below and penetrate the cloth. Safer for fingertips.
The February 2010 tip was about setting up a challenge for yourself to accomplish during the Winter Olympics. It is that time, again, and many of you have asked me what I will be doing for this year's Olympic Challenge. I have to admit, the idea of starting something new was more than I could bear, but I don't want to miss out on the thrill of the chase, as it were. So this year, I am choosing a stack of 'works in progress', some, I hate to say it, going back over 20 years, that I WILL finish during this year's Winter Olympics. February 2 - February 23, 18 days.... what can you finish up in 18 days?
I am a big fan of pre-washing fabric before I use it in a quilt. It gets rid of any excess dye, removes chemical finishes from the fabric (which can be harmful to breathe when the fabric is ironed), and preshrinks the fabric. Recently, however, I discovered another good reason to pre-wash. I purchased some good quality batik from a reputable quilt shop, and we discovered that there were bits of wax left over on the fabric from the dying process. Usually the wax is removed when the fabric is processed in the mill, but this bolt contained bits of wax on the inside that we discovered when we felt lumps on the fabric as it was being unwrapped. Pre-washing removed the bits of wax. Think of the mess that would have made on my iron and ironing board if I hadn't prewashed!
As a follow up to last month's tip, a good proportion for borders is 3/4 to the full size of the block in the quilt. For example, if your quilt is made up of 12" blocks, a border that measures 9" - 12" wide works well.
Wondering how wide to make your lattices? I have found that a good proportion is 1/4 to 1/3 the size of the block. For example, if your quilt is made up of 12" blocks, lattices that are 3" - 4" wide work well.
After cutting several squares of batting with my rotary cutter, my mat was full of fuzzies. I had read that using an art gum eraser (a white plastic eraser, sometimes called a Magic Eraser or Quilt Eraser) would work. Tried it, and it worked like a charm. Then tonight, I read this tip for really cleaning your mat on the OLFA website. 'To clean your OLFA mat, use a generous amount of room temperature water and a few drops of mild detergent. Use a soft, mild bristle brush such as a toothbrush or mushroom brush to create a lather and gently clean your mat. Rinse with room temperature water and wipe dry with a cotton towel. Please note that warm or hot water and direct sunlight may damage the mat'. Thanks, OLFA, for the great tip!
Just a reminder that this is the perfect time of year to stock up on school supplies for YOU! Notebooks are great not only for storing patterns and class instruction sheets, but also for keeping the pages you save from purged magazines (see September 2006). Remember, the more organized your work space, the more room you have for fabric!
Ever been to a workshop where the power fuses kept blowing out? It may be that someone has a nick in the power cord to their sewing machine which is causing it to spark. Remember to check the health of your power cord from time to time to be sure there are no nicks or cracks in it.
Which foot you use on your sewing machine can determine how accurate a 1/4" seam you will get. Be aware that not all feet marketed as 1/4" feet are accurate. Also be aware that open toed feet (those with an open area between the toes of the foot) are great for machine quilting, giving you better visibility, but they are not so great for stitching 1/4" seams. They do not provide pressure in the correct places against the feed dogs for 1/4" seams and this causes the fabric to pull out of alignment at the beginning and/or ends of the stitching, giving you a 1/4" seam that is not uniform or accurate.
Open toed feet are intended for things like machine applique or machine quilting where you need greater visibility around your stitching area. They are not meant for uses where there is only 1/4" for a seam allowance. There is not enough fabric in the seam to extend over to where the presser foot and the feet dogs interact. My preference is to use my general purpose presser foot, where the gap between the toes is very tiny.
Quilters are known for using various tapes for guidelines on the beds of their sewing machines as well as on rulers. But what to do about that sticky residue that sometimes remains behind when you remove the tape? Try rubbing it with mayonnaise. It really works, breaking down the gumminess of the residue, so you can just wipe it clean. Thanks to Barb Wells for this idea. I tried it, and I like it!
Pinning basics bear repeating from time to time. Never sew over your pins. There is no machine made that can 'know' to skip over a pin. If the needle hits the pin, it can break. If it glances off the edge of the pin, it can chip or dull the point of the needle. Either event can cause damage to your bobbin mechanism, which is a minimum $50 repair. Place pins at a right angle to the edge of the fabric. That way, you can sew right up to the pin before removing it, allowing it to hold the layers in position right up until the needle is ready to create stitches that will take over the job of holding the layers together.
If you are right handed, place the heads of the pins (and your pin cushion) to the right. If you are left handed, place the heads of the pins (and your pin cushion) to the left. That way, you can easily remove the pins when need be without having to contort your wrist to do so, and park them in the pincushion so they will be ready for your next pinning job.
What does a piggy bank have to do with quilting, you ask? I am all about trying to be more efficient with my time. Every once in a while, coins mysteriously show up in my washing machine. (Do you suppose it is payment for the socks that go missing?). I found a really cute little piggy bank (lime green... how can you not smile when you see a lime green piggy bank?) to place on the shelf above my washer. Now when coins show up, I can pop them in the piggy bank instead of putting them in my pocket and trying to remember to then put them away.
I have talked about flannel walls in the past. They are a great planning tool for quilt construction, giving you the opportunity to preview the components of your quilt during the construction stage. One option is to use a flannel-backed tablecloth as a flannel wall, but this alternative comes from Jan Kostolansky. Instead of flannel-backed tablecloths, which sometimes don't have the best flannel on the back, try buying flannel-backed vinyl by the yard. I have seen it at Walmart, for example. The flannel on the back of that is better quality. It comes in white, which is a better choice than patterned vinyl, as sometimes the colors on patterned vinyl show through the flannel, and that is distracting when you are using it as a flannel wall. Thanks, Jan!
While at a teaching retreat last week, I came across this product I just had to share with you. It is called Walnut Ink Antiquing Spray, and it is pretty amazing stuff. If you have fabric that is too white, too bright, or too new looking, spritz it with Walnut Ink Antiquing Spray, heat-set it with an iron, and it takes on a lovely mellowness that transforms it! Here is a before and after setup, with the top row being the original fabric, and the bottom row being the antiqued fabric. Several students used it in the workshop, transforming fabric that was too bright for their collection, creating fabrics that really worked!
Made by Cindy Hilfiger, it is all natural, acid free, and can also be used to antique leather, paper, wood, anything that is porous enough to absorb the spray. The Walnut Ink Antiquing Spray is available on Cindy's Etsy site.
If you are new to Etsy, it is a website where artisans can set up their own online shops to sell handcrafted items. I have found some wonderful treasures on Etsy, and it is a great way to support the the crafting community. While at Cindy's site, check out some of the other items she has to offer. And be sure to try the Walnut Ink Antiquing Spray. Cindy provides some very good information about how to use it on her site.
It's the start of a new year. Let's start with giving your sewing machine a good cleaning. A fluffy pipe cleaner, tweezers, and a small paintbrush are helpful tools for this job. With the presser foot in the up position, dust out all of the thread guides your thread goes through with the paintbrush. (When the presser foot is up, the upper thread tension discs are open/separated, so you can dust between them) When cleaning out the bobbin area, remember to brush out both the inside and outside of your bobbin case. Also, brush out the mechanism the bobbin case snaps into. If you can, check behind the bobbin mechanism (this will depend on the type of machine you have) This is a place where small lengths of thread sometimes get caught, causing things to jam up. Tweezers are useful for pulling out the unwanted thread.
I prewash all of my fabric prior to using it. Why? Several reasons. Remove excess dye, preshrink, but most importantly, to remove the finish they put on the cloth. It contains formaldehyde, which creates fumes when ironed which cause my eyes to tear and is painful to breathe. In addition, sewing through unwashed fabric leaves a coating on the needle which can cause skipped stitches. If the prewashed fabric needs more body before using it, I use Mary Ellen's Best Press, a spray fabric finish available in quilt stores, that gives a wonderful hand to the fabric without gumming it up. My preference is the unscented version of Best Press, but is also comes in fragrances if you like that sort of thing.
If you are having difficulty getting your stitches to hide when you applique (same holds true for when you are hand sewing the final edge of quilt bindings, which is, after all, applique!), try switching to a thinner needle. Regarding needle sizes, the higher the number, the smaller (and thinner) the needle. (Size 10 is smaller than size 8 for example) It will be easier to control where you pierce the fabric when you use a smaller needle, and easier to then hide your stitches.
I have had several people ask me lately for more details on how I construct my design wall. I described it in the June 2010 tip, and am repeating the information here, with an update. I have found out what to call the L shaped pieces of hardware, (they are L screws) and am including pictures of them in this repeat for clarification.
The base of the design wall itself is a 4' x 8' sheet of 1" thick foamcore. (what they use to insulate the outside walls of houses). You can of course have it cut to a size that fits your space. Mine is mounted so it is 8' long and 4' high.
I then covered it with extra wide white flannel by wrapping the flannel over the edges around to the back and duct-taping it in place. (If you are having difficulty finding flannel large enough to cover the foamcore, check out the What's New section of this website for information on where to order extra wide flannel) I recommend getting a sheet of gray foamcore. The first one I brought home was pink, and that shadowed through the flannel. If pink is all you can find, I would cover it with something white first, then cover it with the flannel.
To mount it to the wall, I found these things at the hardware store that screw into the wall. They are L shaped, with the top leg of the L being threaded for about 1/2". They are called L screws. I could then screw 4 of them into the wall into studs along what would be the bottom placement of the foamcore, with the short leg of the L sticking up.
I then screwed 2 into the wall into studs along what would be the top placement of the foamcore, with the short leg of the L sticking down.
You need more on the bottom to support the weight. The top ones just hold it in place. I now have 'brackets' in the wall that I can simply slide the foamcore into, and the brackets hold it in place. This way, I can always slide the foamcore out if for any reason I need to change the flannel.
With sewing machine needles, the higher the number, the larger the needle. A needle sized 9/70 means it is size 9 in American sizing, size 70 in European sizing. Size 10/75 is the recommended size for machine piecing.
If you are sewing through heavier fabrics, switch to a larger needle, such as a 14/90. As I mentioned above, the recommended size for machine piecing is 10/75. The larger the needle, the more accuracy you lose in your piecing!
If you are new to hand quilting, I would suggest you start with a size 8, and work your way up to a smaller needle (the higher the number, the smaller the needle). My favorite is a size 10. Be aware that sizes are not uniform from brand to brand. If a size 10 in one brand doesn't work for you, try a different brand size 10. The hardest part about this will be remembering which brand you like best! My favorite? See the July 2012 hint.
Needles come with different sized eyes. For example, the Richard Hemmings brand makes a size 10 quilting needle, a size 10 large eye quilting needle, and a size 10 BIG EYE large eye quilting needle. There is a huge difference in the size of the eye on all three of these. The last is my favorite: It is really easy to see! If your local store doesn't carry the ones you want, request them. They may not be aware of the options.
In handwork, needles come in two basic categories, Sharps and Blunts. Sharps are what is used for quilting techniques. (Blunts are used for counted cross stitch). Needles are sized by number. The higher the number, the smaller the needle. Betweens (also called Quilting Needles) are shorter in length than a comparably sized Sharp. If a quilting needle feels too short for you, switch to the same size Sharp.
A travel iron is a great take-along to classes. It is smaller than a standard iron, and ligher weight, which is handy when you have to haul a lot of supplies to a class.
I find it handy to have an ironing surface near my sewing machine. Placing one at right angles to my machine that is the same height as my machine means I can just turn in my seat to press as I work, allowing me to achieve better accuracy. To construct a portable ironing board to place near your work station, cover a wooden tv tray with toweling (I use a couple of layers of an old bath towel. You could also use a couple of layers of cotton batting). Cut this padding about 3" larger than the tv tray top, and wrap the excess around to the back of the tray top. Staple it in place. Next, cover the padded surface with sturdy cotton fabric, again, cutting the fabric about 3" larger than the tv tray top, and wrapping the excess around to the back of the tray top and stapling it in place. You now have an ironing surface to place next to your sewing machine.
This tip comes from Jean Strobridge of the Endless Mountain Quilt Guild in Sayre,PA: An old or unused eye glass case is great for storing and carrying your rotary cutter. Great idea, Jean. Thanks! What a good way to use something creatively for something other than its intended use, and promote safety at the same time. Thanks for sharing.
Do not ever include selvage (the tightly woven bands on the edges of cloth) in a seam. Selvages continue to shrink even after the 4th or 5th washing, and results in a puckered seam.
January, a good time to organize your work area. If you are in need of ideas for a desk or workstation, consider building your own by using two two-drawer file cabinets for the base, and topping it with a door or shelving board that is as wide as the cabinets are deep. Home improvement stores have shelving in different widths, and will cut it to the length you want. I lucked out in that I discovered that there is a recycle center where the university disposes of old office equipment and dorm furniture when they are done with it, and bought 2 really nice file cabinets for very little money. A little spray paint and they were beautiful! I topped them with a door (knob removed: hole makes a good place for cords to go through) and now I have a spacious work surface with tons of storage in the file cabinets.
For best stitch quality, change your sewing machine needle after about every 8 hours of sewing. The more you stitch, the duller the tip gets, and that can damage the bobbin mechanism of your machine, which is a very costly repair.
Be sure you own a pair of scissors with fine (very slender), short blades. Trimming the end of thread you are about to put through the eye of a needle will give you a better cut with fine-bladed scissors. Thick blades crush the thread and make a ragged cut, making it more difficult to thread your needle.
Do your shaking hands make it difficult to thread your needle for handwork? First of all, you might be experiencing low blood sugar, in which case, I recommend chocolate. All kidding aside, this next hint comes from one of my students, and I think it is an excellent solution: she stabs the needle into something stationary, such as a pin cushion, or the arm of her chair, so the eye is sticking up. This way, the only 'moving part' is the hand holding the thread as she aims it to the eye of the needle. Thanks to Andrea Feyen for sharing her tip!
Do you have an odd pierced earring because you lost one of the pair? Or perhaps you collect souvenir quilt show pins that work like a tie tack? These make unique and colorful thumbtacks for posting things on your bulletin board.
Do you have a leftover block from a quilt project? Sandwich and quilt it, bind the edges, and use it as a place to store the keepsake quilt guild and quilt show pins you have been collecting. It also works as a fun place to store pierced earrings.
UnFinished Objects, referred to in the quilting world as UFO's. But what about this? What if you thought of them as Utterly Fabulous Opportunities? It's all in how you look at it!
Continuing on with last month's tip, you can also cover things like round cornmeal and oatmeal boxes with fabric that you custom-fuse onto the box. These can be further embellished by putting fusible web on the back of printed fabrics that you then can fussy-cut some of the motifs, such as flowers, and fuse those onto the decorated containers. Other ideas for embellishment are to attach such things as ribbon or rickrack to customize your new storage containers. Have fun!
The cardboard carriers soda (or other beverages) come in make wonderful storage caddies. I have some that are 4-packs and some that are 6-packs that I have covered with beautiful fabric (use stitch witchery or other fusible product) to disguise the original purpose of the carrier and color-coordinate it with my quilting studio. They are great for storing scissors, rotary cutters, lint rollers, spray bottles, etc. You could also cover them with decorative Contact paper which comes in a variety of designs.
After struggling to remove a sticky label from something I had purchased, I hit on a brainstorm: my hairdryer! I blasted the label with heat from the hairdryer for about 10 seconds, then peeled off the label easily. Note that you should take into account what the label is attached to, and consider if it will withstand heat. Also, be aware that for stubborn labels, you may have to heat the label for a little longer.
If you have been searching for wide flannel to make your own flannel design wall (see the June 2010 Tip), search no more. Long-arm quilter Marcia Wachuta has it for sale on her website. To order the flannel, go to her website (http://www.craftysewing.com) , and click on Fabric. If you don't have a design wall yet, put it at the top of your list of things to do. I am so much more productive when I can see what I am working on laid out in front of me. If you don't have room to mount it on a wall, remember that you can prop it up against a wall or a closed door when in use, and slide it under a bed when not in use.
Tired of hunting for your small scissors when you want to clip what you are stitching on your machine? A small suction cup hook placed on the side of your machine makes a great place to hang your scissors so they won't get lost in the tangle of fabrics on your sewing machine.
This is the time of year we make resolutions, only to be disappointed next year at this time about all of the things we failed to accomplish. Start fresh this year. Go through your UFO's (unfinished objects) and make a list of 3 things you WILL finish this year. Don't stop there. Also, get rid of 3 projects that no longer interest you, that you have learned all you wanted to from, or that simply are no longer important to you. You can pass them on to another quilter who will see it with fresh eyes, donate it, or toss it, as you choose. The end result is that you will have removed 6 things from your UFO pile, and that is energizing in itself!
There is nothing magic about the number 3. You can set the number as high as you want, but start out with something achievable for the best results. With that said, I am off to go through my UFO's! Happy New Year!
This clever idea comes to me from Fay Poudrier of Burlington, WI. Turn a rug sample (or have a rug remnant bound) into a quick, easy, and color coordinated bulletin board. Simply tack it to the wall, (or attach with adhesive velcro strips) and you can pin your favorite items onto it in your work area.
If the thought of sandwiching your quilt top in preparation for hand quilting, or even machine quilting on your home sewing machine, has been holding you back, be aware that some long arm quilters offer sandwiching services. They will layer your quilt backing, batting, and quilt top, and baste it together for you so you may then quilt it yourself. Talk to your long arm quilter to see if she offers such a service. Price will vary according to the size of the quilt and prep time required, but it may be well worth your time to not have to wrestle with a large quilt yourself. The long arm quilter I work with on this bastes with stitches about 1" long in rows about 6" apart, which works well for either hand or home-machine quilting. She has found, however, that she prefers to switch to a smaller needle than what she uses when she quilts, because her usual needle leaves larger-than-desired holes when she bastes. Hope this idea gets you on your way to quilting your next project!
It is all about repurposing. Those little boutique tissue boxes (such as Kleenex, etc.) come is such pretty designs. It seems a shame to throw them away when they are empty. An empty boutique tissue box makes a colorful trash bin on your work table. I also use one in my laundry room for dryer lint. It helps to remind me to empty the dryer lint trap after each load.
To assist in threading a needle for hand stitching, hold the end of the thread you are about to insert in the needle about 1/4" from the end. This stiffens the end of the thread and makes it easier to poke into the eye of the needle. If you hold the thread too far from the end, the end becomes limp and won't go where you want it to.
As summer winds down, watch the store clearance aisles for silverware caddies in the picnic supply area. They are a handled unit with 3 divisions for silverware alongside a long division for napkins. These work great in your work area to hold rotary cutters, pencils, small rulers, etc.
At times I need a funnel and my kitchen funnels just won't do. Making pincushions the other day, I needed a funnel to feed the sawdust into the cushion, and my kitchen funnel was too small. Quick and easy solution: I cut the top off of a plastic water bottle, about 3" below the mouth. I turned it upside down, and now I have a funnel with a wider spout that works great for the pincushions, and best of all, it was free! I have done the same thing with a 64 oz. plastic juice bottle for a free widemouth funnel, cutting it aobut 6" down from the mouth. I love it when things are free!
I have had several people ask me lately what I use for a design wall. It is a 4' x 8' sheet of 1" thick foamcore. (what they use to insulate houses). You can of course have it cut to a size that fits your space. Mine is mounted so it is 8' long and 4' high.
I then covered it with extra wide white flannel by wrapping the flannel over the edges around to the back and duct-taping it in place. I recommend getting a sheet of gray foamcore. The first one I brought home was pink, and that shadowed through the flannel. If pink is all you can find, I would cover it with something white first, then cover it with the flannel.
To mount it to the wall, I found these things at the hardware store that screw into the wall. They are L shaped, with the top leg of the L being threaded for about 1/2". I could then screw 4 of them into the wall into studs along what would be the bottom placement of the foamcore, with the short leg of the L sticking up. I then screwed 2 into the wall into studs along what would be the top placement of the foamcore, with the short leg of the L sticking down. (You need more on the bottom to support the weight. The top ones just hold it in place) I now have 'brackets' in the wall that I can simply slide the foamcore into, and the brackets hold it in place. This way, I can always slide the foamcore out if for any reason I need to change the flannel.
When measuring for the placement of the upper hardware, I would recommend leaving a little bit of extra room. Measure your covered foamcore (if it started 4' wide, it may be a little wider now because of the flannel. You also don't want a perfectly tight fit, otherwise, it may be difficult to slide the panel into position. Leaving about 1/4" space should work well. To be sure, screw in the lower set of L brackets, set the foamcore in place, then position the upper set of L brackets.
Place a table or floor lamp to the LEFT of your sewing machine. Placing it to the right caused the head of the machine to cast a shadow on your work. Placing it to the LEFT will better illuminate your work area.
A website hint: Remember to refresh or reload your page when you go to a place on the computer you have bookmarked. (Go to the VIEW option: one of the choices will be RELOAD PAGE or REFRESH PAGE) Otherwise, you will see the same version you saw when you bookmarked the page, rather than the current version of the site.
When pinning, use as small a bite with your pin as possible. A bite is how much fabric you stitch onto your pin. Large bites allow the fabric to slide up and down the shaft of the pin and move out of position. Small bites keep it anchored where you want it and prevent the background from bunching up under the applique shape.
I find I work best when I have a deadline. And if there is a challenge involved, that is even better. One of the challenges I enjoy is planning an Olympic Challenge. I choose a project that I start on the opening day of the Olympics, and see if I can have it completed by the closing ceremony. If you enjoy a challenge, start planning now! The 2010 Winter Olympics is February 12 - 28. That's 17 days of focused stitching. What can you accomplish in that time?
If you use tape as a marking guide (ex: as a guide on the bed of your sewing machine to indicate where to place the edge of the fabric as you stitch), be aware that masking tape comes with different degrees of tack, or stickiness. Painter's Tape (blue or purple) has less tack than tan household masking tape, and will leave less sticky residue on your machine. To remove the sticky residue, see the tip for January 2004.
Before you sandwich the layers of your quilt together, take time to be sure all loose threads have been removed. Go over both sides of the backing and the quilt top with a lint roller. Go over both sides of the batting and pick off any stray threads. Once that is done, then you are ready to sandwich.
There is nothing more frustrating that discovering while you are quilting that there is a dark thread snippet trapped between the layers of your quilt. The extra time it takes to remove the stray threads will be well worth it!
Never feel compelled to finish something just because you started it. If you don't like it, or you have learned what you wanted to from it, there is no rule that says you have to finish it. Pass it on to someone else. Not only does this leave you free to work on something you will enjoy much more than a project you are completing only out of obligation, but you are giving someone else the opportunity to explore a new project.
I hand quilt using a 14" lap frame, which basically is a 14" round hoop that is built on a stand that rests on my lap so I don't have to hold the hoop while quilting. (Directions for making your own lap frame can be ordered on my ordering page). I was asked in a hand quilting class this week how one tackles quilting the edge of a quilt, as placing it in a hoop doesn't give you room to stitch.
My solution is to make use of my old bath towels by cutting them into strips about 9" wide, serging the edges so they don't fray, then hand basting the toweling strips to the edges of my quilt sandwich. This gives me an extension on the edges of the quilt that is the same thickness as the quilt sandwich. When I am ready to quilt the edges of a quilt, it is actually the toweling that is caught in the hoop, moving the edge of the quilt more towards the center of the hoop where I can reach it easily to do my quilting.
I love this time of year. I am still in the habit of shopping for school supplies, and I never fail to find something new I just have to have. My 'find' this year was a composition book of graph paper. Remember those composition books from your childhood with mottled black and white covers? This one has a blue and white cover, and is filled with graph paper instead of lined paper. It makes a great notebook for jotting down all the tips you learn at guild meetings and classes, with the perfect format for sketching patterns you want to try.
In addition to the tip from May 2004, another handy way to store your rotary cutting rulers is a letter organizer from the office supply store. They have 3 or 4 upright divisions that are often tiered to different heights. The original purpose is to sort letters for storage on your desktop, but they also work very well for keeping your rotary cutting rulers in place.
This tip comes from Jolene White of the Berrien Towne and Country Quilt Guild in Bridgman, MI. Jolene uses a wooden wallpaper roller (roller is about 1" wide, and is used to smooth the edges of wallpaper when applying it to the wall) as a handy pressing tool. It allows her to smooth out pieced seams as well as appliqued shapes once they are stitched without having to go to the iron. Thanks Jolene!
Thanks to Roxan Placek, from Wisconsin Quilters, for this tip. Roxan used a 10" length of foam pipe insulation (available at the hardware store: used to insulate pipes. It is a tube of foam that is split down its length so you can slip it onto a pipe to keep it from sweating) to gather together the handles of a tote bag, and give her something to grip as she is carrying the tote. Not only does it keep the handles together, but it makes a nice cushy handle to hang on to.
I carried one of her totes into a retreat for her and was delighted with how comfortable the handle was. I bet a shorter 5" length of the foam would be great to take to the grocery store to use on those plastic bags that tend to cut off the circulation in your hand when you carry them! Thanks Roxan!
Let me start by saying that I am a novice machine quilter. While I am comfortable with straight line machine quilting with the feed dogs up, I am not so confident with the feed dogs down. I know: Practice, practice, practice. I did discover, however, that occasionally, even though the tension seems perfect when machine quilting, every once in a while, in one or two spots, the bobbin thread shows ever so slightly on the topside of the quilt. Because it only happened for one or two stitches at a time in 4 or 5 spots on the entire quilt, adjusting tension did nothing to eliminate the problem. My solution was to use my various colors of pigma pens, those acid free permanent markers used for signing your quilts, to 'color' the bobbin thread so it matches the fabric. It helped the bobbin thread to blend in with the fabric, and did not show at all. Be sure to test the color of your pigma pen in a sample of the fabric to make sure it blends in before doing this on your quilt.
I got this tip from one of my students and thought it was worth passing along. Since eyeglasses are usually adjusted for the focal length needed for reading, bring along an old pair of glasses and use those frames for lenses that work for stitching.
The way to get a nice sharp corner in your stitching when you are pivoting (as in topstitching or machine quilting) is, when you are at the corner, stop with the needle in the fabric where you want to pivot, turn the handwheel just enough so the needle starts its upward journey, but does NOT exit the fabric. Raise the presser foot just enough that you can pivot the fabric, and continue. When stitching, the bobbin thread is not picked up to complete a stitch until the needle starts its upward journey. If you pivot before that happens, you will get a diagonal stitch at the corner instead of the sharp corner you are aiming for.
Let me start by saying that next to cleaning my oven, ironing is the thing I hate most. You know that when I say you have to press something, I really mean it, because I am not one to be a frivolous ironer. I have to then share with you a product that I am really impressed with. Mary Ellen's Best Press is a spray that is better than starch ever was. It is available in odorless (important because I am allergic to fragrances), doesn't leave a residue, and truly makes fabric look wonderful. I use it to press my prewashed fabric before cutting it, and I use it after I have pieced a block to press it. The blocks come out looking fantastic, laying beautifully flat and in a fraction of the time it takes to press with a dry iron or a water spritzer. You can find Mary Ellen't Best Press at your favorite quilt or fabric store. I won't go so far as to say it makes ironing fun, but it sure makes it much faster!
Long ago and far away, I belonged to a Christmas Club. It was a small group of women who got together around the 25th of every month to make something. We took turns being responsible for choosing a project, and leading the group in how to make it. It was a great chance to try new projects that I might not have otherwise made, helped to spread out the expense and the frenzy of the holidays, and of course, there is nothing like getting together with friends to do something fun.
Looking for a clever way to recycle, clean your sewing room, and wrap gifts, all in one shot? Dressmaking pattern tissue paper makes lovely tissue to wrap hand crafted gift items in when they are nestled in the box you are gifting them in.
I heard a great marketing concept the other day: If you can't fix it, feature it. What a terrific idea! It occurred to me that quiltmakers do just that. There are times when I run into problems, such as not enough fabric to do the border in the fabric I wanted to, and the solution resulted in a better quilt than if I had enough of the original fabric to start with. Don't let problems scare you off from finishing a project. Think outside the box. Find a way to feature your problem and make it a shining highlight.
Periodically it is good to purge your studio of all those things you realistically will never use again. If you need something to jump start you into doing this, keep the following in mind. The purpose of every project you start is NOT necessarily finish it. Sometime the purpose is to learn a new technique, and you can do that without making a quilt of out it. If the purpose of your project has been met, pass it on. One of my guild's does a yearly event where members can bring things for others to 'adopt', things they know they will never finish, books they will never read, patterns they will never make, fabric they will never use. It is a chance for someone else to acquire something they can then use as a charity project, as a learning tool, as the missing ingredient to a project they are working on. Everyone wins.
As an expansion on the December 2007 hint of bringing your stitching with you when you go for your eye exam, remember to also bring a needle and thread. When the doctor has the lens adjusted for correcting your vision, see if you can thread a needle with the lens selected. If not, you may need further adjusting. New glasses aren't very effective if you can't see to thread your needle!
If you don't have space to have a permanent design wall, or you need to bring a design wall to a workshop where you can't tape things to the classroom walls, you can easily make a portable design wall to suit your needs. Start with a a foldling cardboard unit. These are made of corrugated cardboard, and are very inexpensive. If you get them in a fabric store, they are called Pattern Cutting Boards, and accordion fold to about 10" x 36" for storage. When open, they are about 36" wide by 60" long. They are for you to lay on your work surface so you have a larger place to lay out fabric for cutting out dressmaking patterns. You don't rotary cut on them, but they help as far as arranging components of a quilt when planning how to set things together.
To make a design wall out of them, you can cover them with flannel or batting. Cover the front surface with the flannel or batting, wrapping about 2" around to the backside. Tape in place. Duct tape works well for this. To make them free standing, the two end panels of the accordion folds can be placed at a right angle to the rest of the board when you stand it up on the floor, or they can be propped against a wall.
You can also find a similar cardboard product where they sell office or school supplies. These are corrugated cardboard trifolds that are made as display boards. Again, covering them with flannel or batting makes a great portable design wall.
As I work on organizing my quilt studio, I am reminded of a phrase overheard at a retreat: S.A.B.L.E. "Stash Accumulated Beyond Life Expenctancy". Not that having a S.A.B.L.E. is a bad thing, mind you!
See the tip for February 2008 for some uses for the cardboard tubes that come inside rolls of gift wrap, paper towels, and toilet paper. Another use for the longer tubes is to cut them the same length as the bottom rail of a coat hanger. Slit the tube down its length, slip it onto the hanger, and tape it closed. You now have a hanger with a smooth rounded surface to hang a quilt, quilt top, or quilt backing on, thereby avaiding creases where the quilt bends over the hanger.
See the tip for April 2008 to see how to attach casings to the back of your quilt for hanging quilts. I insert rods (dowels) into the casings to display the quilt. The dowels are cut the same length as the finished casings (which is slightly shorter than the width of the quilt). One dowel goes in the casing along the bottom of the quilt so the quilt hangs well. A second dowel goes in the top casing. I place an eye screw in the ends of this dowel, turning the eye screws so they both end in the same orientation. To hang the quilt, place 2 nails in your wall, positioning the nails so the eye screws can be hung on them. In this fashion, the nails are hidden from view by the quilt. If you are hanging the quilt in a show, loops of heavy-duty twine or fishing line can be placed in the eye screws, and the loops can be hung from whatever mechanism the show is using to hang the quilts.
It is easiest to attach 'hanging casings' to the back of your quilt as part of the binding process. I place a casing at the top AND bottom of my quilts. The quilt is hung from a rod in the top casing. A rod in the bottom casing helps to weight the quilt so it hangs well.
Because I use dowels to hang my quilts, I find that strips 4" - 6" wide are sufficient for the casings. Be sure that whatever width you choose will be sufficient for the size rod you will be hanging the quilt from. Wall hangings can hang from smaller dowels and use narrower casings. Full size quilts will need larger rods so they don't bow under the weight of the quilt. Your casing strip needs to be wide enough to accommodate this. The casing strips will be folded in half (so 4" will become 2", for example) so that you are creating a tube for the rod to reside in. This way, any possible rough edges from the rod will not damage the back of your quilt. Create strips that are the width of the quilt. Make a double 1/4" hem along the short ends of the strips. Fold the casing strips in half, wrong sides together, so they are now 2" -3" wide.
After the binding has been attached to the quilt's edge by machine, but BEFORE you fold the binding over the edge to the back to encase the raw edges, lay the folded casing on the back of the quilt, one strip along the top of the quilt, one strip along the bottom of the quilt, raw edges even, and centered along the edge. Because of the double 1/4" hems you made, the casings will be 1/2" shorter than the quilt at each end.
Baste the casing along the raw edges, positioning the basting in the seam allowance along the quilt's edge. Now when you fold the binding over the raw edges to the back of the quilt, it will also encase the raw edges of the casing. After the final stitching is done to hold the binding in place, all that remains is to stitch the folded edge of the casing to the back of the quilt. I stitch this edge by hand, taking care that the stitching does not go through to the front of the quilt. I also stitch the portion of the tube's opening that rests against the quilt backing to the backing to insure that the rod will go inside the tube when inserted.
Your quilt top is quilted. Now what? Before you attach the binding, block your quilt. Quilts can become distorted at several points along the construction path, especially after quilting. Before you cut off the excess batting and backing, block your quilt by spreading it out on a smooth clean surface that you can pin to. If it is a small quilt, I pin it to my flannel wall. If it is a large quilt, I pin it to my carpet. Spritz the quilt lightly with water. Pin the edges of the quilt to your pinning surface, smoothing the quilt as you pin, and measuring to be sure the edges are straight, the quilt measures the same width throughout the entire quilt, the quilt measures the same length throughout the entire quilt, and all rows of sashing are straight and true. Allow the quilt to dry. If you have an overhead fan, this can speed the drying time. I repeat the spritz and dry process three times. Once the quilt is dry, you can unpin, and attach your binding.
Are you still cleaning up after the holidays? The cardboard tubes that wrapping paper, paper towels, and toilet paper come on are great for recycling.
As the time comes to put away holiday decorations, take time to recycle greeting cards in a worthy cause. Answer this plea from an organization in Forest, MS: "Wanted: Your used Christmas cards. (Fronts only.) The children of our church make Christmas ornaments from the pictures from Christmas cards. These are sent (along with a photograph and Christmas greetings) to hospice patients. Please send us your Christmas card fronts, or maybe get your friends, or your whole church to save their cards for us. We can't reimburse your postage, but we will send you a photograph of our group (and our hospice tree). Also, we'll send you instructions of how we make our ornaments. Thanks so much for your kind help, and God bless you all! Ship to: HOSPICE PROJECT, c/o Forest-Scott CTC, 521 Cleveland Street, Forest, MS 39074."
UPDATE 8.10.11: I am unable to find out if this organization still exists and if they are still accepting donations. I did however find this information from St. Jude's Ranch for Children: Card Donating Tips:
For better vision, take your hand stitching with you when you go to the optomotrist. Have them watch you as you stitch so they can measure the distance needed for the correct prescription. Normally, the prescription is set for the average focal length needed for reading, which is not the same focal length needed for stitching. This may mean bifocals, or even trifocals, but this way, you will have the correct magnification needed to do your handwork.
Janet Jones Worley, author of Quilts for Chocolate Lovers, passes along this valuable hint that will help prevent backaches while sewing. Place a book that is the same thickness as your sewing machine's power foot pedal on the floor next to the power foot pedal. When it is time to stitch, place one foot on the power foot pedal and place the other foot on the book. This puts both feet at the same level, keeping your hips in alignment as you sit and stitch.
Rather than folding quilts to store them, I roll them. Fabric stores are happy to give you the heavy cardboard tubes drapery fabric comes on. Wrap them in a layer of batting, then a layer of muslin. Quilts rolled on padded tubes can then be stood up in a closet for storage. Because many of my quilts are small, I group 5 or 6 quilts on a tube, grouping them according to theme: applique, nine patch, scrap quilts, etc., making them easy to locate when I am searching for a specific quilt.
If you are machine stitching with spools of thread larger than what your sewing machine thread spindle will accommodate, you can lengthen your spindle by either placing a drinking straw over it, or the barrel of a ball point pen. Open up the pen, discard the ink cartridge and the pen top, and place the pen casing over the spindle. Different size pen barrels will work for different size spools.
There are times when you may wish to 'unstitch' an area of hand-quilting. Using the 'eye' end of the needle is recommended because it is blunt and won't split your thread or snag your fabric.
BUT: and here is the hint: first thread that eye with a piece of thread that contrasts with the flooring in the room you are in. Knot the ends together so the thread slip out of the needle. Now you can begin using the eye end of the needle to pluck out the offending stitches. (You will want to hold the loop of thread taut against the shaft of the needle so it doesn't get in your way.) This way, if the needle flips out of your hands as you are working, you will be able to locate it on the floor.
Sadly, this hint came to me after spending over 2 hours searching the carpet of my living room one night after the needle flipped out of my hand. I tore apart the chair, moved furniture, used a flashlight, used a magnet... all to no avail. It wasn't until the next morning when I started again that I found the needle laying in an area that I could swear I searched in the night before! Having a loop of colored thread tied to the needle would have saved me so much time and aggrivation!
Like you, I enjoy searching for tips to make my life easier. I found this one on Judy Martin's website. Judy is a quilt designer I have admired for years. Her website is listed on my links page. If you don't already get her newsletter, sign up! She has a very down-to-earth lighthearted sense of humor that you will get a kick out of, and the ingenuity of her quilt designs will bowl you over! Her new log cabin quilt is fabulous!
Once on her website, if you go to 'community', then to 'tips', you will find this tip. Sometimes, once you cut into a piece of fabric, it is difficult to tell which is the lengthwise grain (this runs in the same direction as the selvage edge and has the least amount of stretch). While the crosswise grain is also 'straight grain', it is stretchier. When cutting borders or sashing, it is always better to cut on the lengthwise grain so you have the least amount of stretch. Your quilt will lay flatter and straighter, without ripples.
Here is Marty Eubank's tip: "Listening for the Straight Grain: A way to tell the grain on a small piece of fabric is to "pop" the fabric in each direction by grasping the fabric on opposite sides and tugging firmly. First "pop" it in one direction, then rotate the fabric (and your hand grip) 90 degrees and "pop" it again. Listen to the sound the fabric makes. The straight grain will be the higher or shallower sound and the cross grain will be the lower or deeper sound. Why? Because the cross grain stretches more and so it resonates more! I have used this method reliably on pieces so small there are no visual clues. Try it! It works!"
She's right! I have been sewing for years, and this is the first time I have ever heard this trick (no pun intended!). The fabric really does make a different sound in the different directions. Think you will have trouble remembering which pitch is the correct direction to work with? Try this: if it's low, say no!.
Keeping with last month's theme of how to create a more comfortable raised surface for rotary cutting, this idea came from student Debbie Tomek, who got it from Sally Parker. Debbie came to one of my retreats with her fabrics in an 18" x 24" x 7" plastic bin. When it came time to cut, she topped it with a piece of 18 x 24 plexiglass (this gave it a smooth top surface), topped that with her cutting mat, and she had a surface that was raised from the worktable to a comfortable height for rotary cutting. As long as you have to haul supplies to class anyway, might as well use a conveyance that can do double duty!
When getting your piece of plexiglass made for this tip (or a piece of masonite would work as well), measure the top of your bin. Make sure the plexi will cover it suffficiently and not fall into any of the indentations that may be in the lid of the bin. You may need to have the plexi cut slightly larger. Thanks for the good idea Debbie and Sally!
I picked up this tip at a wonderful quilt shop in Watkins Glen, NY called Oh Susannah's. Sue had an extra set of Bed Risers she had purchased for her daughter's dorm room that she ended up using in the shop's classroom instead to raise a table to a more comfortable height for rotary cutting. These things are great! When used for their intended use, they raise up the bed so you have usable storage space under the bed.This is something we all could use, not just the college-bound crowd! Think 'extra fabric storage'!
In your workspace, or for a guild to have at their workshops, bed risers would raise worktables to a more comfortable height for more efficient cutting! They are lightweight, easy to store, and some models come in adjustable heights. In checking on line, they are available at a variety of places, such as 'Walmart', 'Bed, Bath, and Beyond', and 'Target', to name a few. They are in the $10 - $20 price range. So raise your table. You will be astonished at how much it eases your back comfort!
One area that often gets neglected when cleaning your sewing machine is the bobbin case. Lint and tiny threads can build up both in the case itself as well as in the housing the case sets into. A noisy machine is one symptom that this has happened. A large fluffy pipe cleaner or a sturdy feather make great cleaning tools for these hard to reach places. The flexibility of both make them perfect for getting into places that cleaning brushes can't reach. You can find both at craft stores. Frequent cleaning will help keep your stitch quality high and improve the health of your sewing machine.
One of the facets of good quilt construction is trimming threads, that is, the tails of threads at the beginning and end of each construction seam. To leave them untrimmed leaves you open to the possibility of darker threads migrating underneath the quilt top to lay under lighter fabrics and show through the top. Rather than waiting until the quilt top is complete to go back and trim these theads, get in the habit of trimming them as you construct the seam. Taping an open lunchbag to your work area will give you a handy wastebasket to toss the threads in, and it will save you hours later to not have to go back and trim them up after the quilt top is constructed.
We all hate to do it, but at times it's necessary: ripping stitches. This method is the easiest I have ever found for this annoying task. Use your seam ripper to cut every third or fourth stitch on the front side of your unit. Now flip the unit over to the other side. Remove enough stitches at the beginning of your seam to give you a tail to hang on to, then pull on that backside thread. Because the front side stitches have been periodically cut, the backside thread will pull out very easily. All that remains is small lengths of thread on the front side. These can be brushed off, removed with a piece of masking tape, or removed by rolling a sticky rolling lint remover over them!
Considering that I used to pluck out each stitch undividually, this method is magical! It ALMOST makes ripping fun!
Continuing with my theme of how to make best use of your time: don't allow yourself to get trapped into cleaning the house. If you let it, it will take over your entire day. Instead, set the timer and see how much you can accomplish in small bursts of time. For example, set the timer for ten minutes, then get busy! Wash the dishes, wipe off the counter tops, empty the wastebaskets, start a load of laundry. Remember, this is a race against the clock! This really works for me. It forces me to focus, and the reward is that I know the frantic activity will be short-lived, with the challenge of seeing just how much I can accomplish in that time frame. When the buzzer goes off, reward yourself with some time to do something just for you. Read, stitch, plan your next quilt. You deserve it.
My hint of January 2005 was to make lists for what you want to accomplish in the coming year. It is also something I do on a daily basis. I find making lists frees me up from having to remember so many details, and also helps to keep me on track for using my time well throughout the day. There are times when I find it most satisfying to cross things off the list as I accomplish them. On other days, it feels better to erase them as they are completed, with a goal of a clean sheet by the end of the day. Realistically, there are many days when I don't complete everything on my list. By erasing as I accomplish, anything I don't get done gives me a head start on my list for the next day. Find a method that works for you. And don't forget to schedule some quilting time for yourself!
Making best use of your time is something we all struggle with. The next couple months I will be sharing some ideas on how to make the best use of your time so you have more time to quilt! This month's hint: never leave a room without taking something with you that belongs elsewhere. As you put this item away, take something from the new room, and put it away. Let no trip be wasted. You may want to set a limit, for example, do this with six things, otherwise, it may never end! After you complete putting away 6 things, reward yourself with some quilting time.
Never place quilts in plastic bags for storage. Plastic can retain any moisture that may be in the quilt (which can even be as minor as being from the humidity in your home) and cause mildew. Instead, store quilts in pillowcases, or wrapped in a cotton sheet. These will allow the quilt to breathe, as well as protect it from dust, or from touching any wooden surfaces. Touching a wooden surface, such as a shelf, can be problematic as acids from the wood, or elements from the surface treatment of the wood (stain or varnish, for example) could stain the quilt.
I have to admit, I love magazines. It doesn't take long for them to pile up around me, so in an effort to keep them from taking over the house (I don't want to take space away from quilting, after all!), I go through them periodically and weed them out. I pull out any information I may actually use again, and also, any pictures that appeal to me. I then file my saves in notebooks by theme: one for recipes, one for patterns I want to try, one for quilt history information, one for gift projects, and one for pretty pictures. The 'pretty picture' collection is things I just love the colors of. They are most often things like scenery. They are great inspiration for color schemes for future quilts.
This has proven to be a great way to get rid of magazines I no longer need, and the notebooks take up much less space than stacks of magazines. This time of year is a great time to start a project like this while school supplies, such as loose-leaf notebooks, are on sale. When I am ready to start a new project, I can then go through my 'want to make it someday' notebook and see what project I want to do next.
Keeping with the 'how to make pressing easier' theme, or in this case, 'how to eliminate the need for pressing' ...
I cut an old bath towel in half lengthwise, then folded a segment in half widthwise. This made it the perfect size to roll around the bottom of a coat hanger. I just kept rolling it round and round until all of the towel was used up, creating a pad on the hanger about 3" round. A few safety pins held it in place. Now I have a padded hanger (2 from each towel) to hang quilt tops over, thereby reducing the amount of creases in them to remove when it is time to sandwich the quilt tops for quilting.
This also works great in preventing hanger marks on slacks in your clothes closet. It is another great way to put old towels to good use, although you could also do this with leftover strips of batting. Cover the batting roll with fabric and whipstitch the fabric in place. We may be onto a great 'quick gift' idea here!
If there is one thing I hate, it is ironing! But I know how vital good pressing is to successful quiltmaking, so anything I can do to make this job easier is welcome. For years, I have used a bath towel on my ironing board when pressing completed applique from the wrong side. The plush of the towel gives somewhere for the bulk of the applique to go so the piece can be well pressed.
It occurred to me the other day when working on a small scale quilt that perhaps my ironing surface was too hard to handle the job properly. Even though I was pressing with a good hot iron, the quilt top didn't look smooth and crisp. I placed a towel on the ironing board, placed the quilt top right side up, and pressed again. Voila! The plush of the towel gave somewhere for the bulk of the seam allowances to go, and provided the needed support under the quilt top for a good clean pressing. The difference was amazing. Give it a try. I think you will like the results!
When I put a new book of checks in my checkbook, I attach a post-it note to the 4th from the last check in the book. It serves as a reminder when I get to the check with the post-it on it to get a new book of checks ready. That way, I won't find myself in a quilt shop with no more checks in my checkbook! (Heaven forbid!)
Having trouble keeping your favorite books open to the page you are working on? Print shops and office supply stores can re-bind your book in a comb or spiral binding. This involves cutting off the spine of the book and punching the edges to accommodate the new binding. The price depends on the size of the book and the binding, but I have had several books rebound for a couple of dollars each. Books now lay open perfectly wherever I want them to. Even though this site focuses on quilting, keep this in mind for things like cookbooks too! Oh so handy....
If bits of batting or thread have embedded themselves into your cutting mat, these tips may help clean them up for you. A nylon pot scrubber rubbed over the surface of the mat works well to loosen fibers and clean up your mat. Also, a loop of extra-wide masking tape (the extra wide seems to be stickier) or duct tape wrapped sticky side out around your hand makes a good scrubbing tool to remove fiber residue.
For safety sake, it is a good idea to have a case to put your rotary cutter in when traveling. A quick case can be made by folding a square potholder in half, and stitching along the long edge and across the bottom. Be sure to 'try it on' your rotary cutter before stitching to be sure your cutter will fit into the case, as both pot holders and rotary cutters come in a variety of sizes.
I am reminded of this time and time again when I find myself rushing to finish something: If you don't have time to do it right, you won't have time to do it over. So take your time. Do it right the first time.
When hand quilting, I place my quilt sandwich in a circular lap frame. Quilting along the edges of the quilt can be a challenge because it was difficult to manipulate the needle near the frame itself. What works very well is to baste a strip of a bath towel (great use for old bath towels) along the edge of the quilt. It is about the same thickness as the quilt sandwich, and it gives me an 'extension' to place in the hoop, moving the portion I want to quilt closer to the center of the hoop where there is more room to maneuver.
There is nothing that slows down the flow of work like misplacing your tools. Try taping the cap to your seam ripper to the side of your sewing maching, open end up. You can now store your seam ripper here, so it will always be handy when you need it.
My daughter introduced me to these handy 3.5" x 5.5" notebooks that tuck very easily into your purse, and are great for jotting down quilting ideas. They are made by MOLESKINE, and I have found them at national book stores. They are described as 'the legendary notebook of Van Gogh and Matisse, Hemingway and Chatwin', so at least I know I am in good company! They come in different styles: lined pages (would make a great quilt journal), gridded pages (looks like graph paper: ideal for sketching patterns!), and as a booklet of pockets (for storing things like fabric swatches). They even have an attached elastic band that holds the book closed. Very handy, and a great gift item.
October 2005If the underside of your machine stitching is looping, it means there is something wrong with the tension on your UPPER thread. The two most common causes of this are
If you are having problems with skipped stitches when machine stitching, one probable cause is that you don't have the same BRAND of thread in both the bobbin and threaded through the needle. Different brands use a different number of twists when twining their thread. When the bobbin thread links with the upper thread, these twists interlock with each other, forming a stitch. Some machines, such as featherweight machines, are sensitive to this, and if the same brand is not used in both locations, the stitches don't interlock with each other, causing skipped stitches.
Now is the perfect time to cruise the school supply sales to stock up on handy tools for quilting. Zippered heavy-duty pencil pouches for notebooks are great for storing stitching supplies. And don't forget to include a paper punch for your workshop instructions. You can then easily keep directions and tools all together in a notebook when attending a class.
I keep a pack of 1/4" gridded recipe cards (see October '03 hint) nearby when I am looking through magazines or books for projects I want to try. Sketching the patterns on a card, then storing the cards in a recipe box, divided by category, makes it easy to search for pattern ideas when I am ready to start a new project. Divisions such as 'nine patch', 'strip quilts', 'half square triangles', 'quarter square triangles', etc., make it easy to look up pattern ideas according to what type pattern or technique I want to work on next.
Press with a dry iron. Steam can distort seams. If you have a spot that isn't responding well to a dry iron, spritz it with a water bottle (a plant mister works well, as it gives a nice, fine mist). That way, you can control where you want the moisture applied.
When joining several strips to make a wider band of cloth (as for a pieced border, for example, or Seminole patchwork), wait until all of the strips have been joined together before pressing. To press as you go stretches the edges of the fabric, distorting them when you go to add on the next strip, causing the finished band to warp.
I wish I could give credit for this idea, because I think it is great.... it is one of those 'why didn't I think of that?' ideas. I heard it on one of my trips this last month, and just can't remember where, but wanted to share the idea none the less.
Place a large bin or box with handles in the trunk of your car. When you go shopping, and end up with several plastic bags, you can place them in the bin. On arrival at home, instead of making multiple trips to carry in all the bags, (and cutting off the circulation in your hands in the process), just carry the bin in. Not only does this trick keep the contents of the bags from spilling out and rolling around in your trunk, but it makes unloading so much easier!
Tired of broken pencil points when you toss pencils into your work basket for classes? Try placing them in a toothbrush case. They make long, slim, flip-top cases to hold toothbrushes when traveling. These hold 3 or 4 pencils easily. The points will be protected, and, as an added bonus, because the cases are available in fun colors, it will make it easier to locate the pencils in your work basket.
Followers of my Scrap Bonanza method will know that I love using construction techniques that result in 'cut-aways' that can be used to make bonus quilts. It is a great way to make use of every little bit of fabric, and is like getting a quilt for free! I have found that the tray inserts for desks that are divided into individual compartments are a great tool for sorting my small pieces. Half-square triangles go in the small compartments, whole squares go into other compartments, and there are even long compartments perfect for sashing strips.
Quilts should be signed, that is, they should be marked with the name of the maker, the location the quilt was made, and the date the quilt was made. But have you ever thought about signing your quilt tops??? Many vintage quilt tops have made their way into collections with little or no history behind them. Don't let that happen to your quilt tops. Sign them in the seam allowance. That way, not only will you have a record of when you made the quilt top, but in case the top never gets quilted, someone else will know something about its history.
Every Holiday Season has me saying I will be more organized next year, and somehow, when next year comes, I am never as ready for the Holidays as I want to be. Well, this year, I am going to make a serious attempt to do something about that. I make daily lists of things to do, and get great satisfaction for crossing things off the list (or on occasion, erasing them from the list, with a goal of having a clean slate by the end of the day). This is a good time to also make a list of things you would like to accomplish for the year. Need suggestions?
1. Read a new quilting book cover to cover every month.
2. Try a new technique or pattern from said books.
3. Re-arrange your sewing area (I try to do this once a year. I find it energizes me to have a new workspace, as well as helps locate things I forgot I had.)
4. Weed out quilting books/supplies/fabrics you won't use and pass them on to someone who can use them.
Flannel Walls are a great design tool, but they tend to get full of pieces of thread, which can be annoying. An easy way to clean them up is to use one of the rolling lint cleaners you can get at a 'dollar store'. They have a roll of adhesive paper attached to a handle, and you simply roll it over the surface of the flannel wall to pick up all those odd bits of thread. Much easier than using little pieces of masking tape to try to pick up all the loose threads!
I love recycling, especially when it can benefit quilting, and this tip fits right in. Ask your local quilt shop for the cardboard from an empty bolt of fabric. They usually just throw them out. Cut it in half so it is half as long. Now, wrap both pieces in a couple of layers of cotton batting. Make a snug-fitting cover (like a pillow case) for one out of an old bath towel. You now have a portable ironing mat to take to workshops. Make a snug-fitting cover for the other out of white flannel. You now have a 'transport pad' to move the units for a quilt block off the flannel wall (see June 2003 tip) over to your sewing machine. Both are lightweight, take up little space, and will make your stitching much more convenient.
A lunch bag taped to your work table makes a handy trash bin that can easily be tossed when full. This works well in a workshop situation, as well as at home. After all, we don't all have a clean-up crew to pick up after us! I find that folding back a cuff on the bag gives the opening stability and keeps it open for easy use.
Locating patterns, templates, and paperwork can eat up lots of valuable quilting time. To get more organized, use this 'back-to-school special' time of the year to stock up on 3 ring binders. Those with D rings rather than O rings hold more.
While you are at it, pick up some one gallon zipper-storage bags at the grocery store. What I like to do is run packing tape along one long edge of the zipper bag, then I can 3-hole punch it and put it in a notebook. The tape helps to reinforce the holes so they don't tear. It is perfect for storing templates along with the written instructions that go with a project, or even as a way to organize the fabric units of a piece in progress.
Are you having problems with thread breaking while machine sewing? If you are using a spool that has a slot cut into its edge to park your tail end of thread in when you aren't stitching, the breaking thread may be related to the way you have the spool set up on your sewing machine.
If your thread spindle is upright (vertical), the slot should be on the TOP of the spool. If your thread spindle lays down (horizontal), the slot shoud be on the RIGHT. This way, when the thread feeds off the spool, it won't get caught in that slot and break. Happy Sewing!
In getting ready for a recent trip, I fell for one of those TV commercials for plastic bags that you can store things in and squish the air out of and it compacts down so you can fit more stuff in a smaller space. I loved the concept, but hated the price, so I went to the grocery store and got some two gallon zip-loc bags. I found I could pack things in them, squish them, close the seal, and presto! They stayed compacted and really did take up less space. This worked great going through security, because when I opened my suitcase everything was visible, but didn't spill out all over the counters. My next trip was to a quilt show with a great vendors mall... and the zip-loc trick worked great here, too! I could fit many more purchases in a smaller space, so getting my treasures home was much easier. Just remember when you get home to remove things from the plastic bags so moisture doesn't get trapped and cause damage to the fabrics. Happy traveling!
When we moved to southwest Wisconsin two years ago, this trick helped to make moving more fun. Instead of newspaper or bubble wrap, I used my fabric stash to wrap things I was packing. The plaids were for the glasses, the batiks were for the plates, etc. Not only did it save on cleanup when I unpacked (no used paper to get rid of), but it also allowed me to revisit my fabric stash! I saw things I had forgotten that I owned. And it helped to get my new studio set up more quickly, as I was actually unpacking both kitchen and studio at the same time.
Need a way to tidy your work area? Gather your rotary rulers and park them in their own storage space. I found 'dish racks' that are made of strips of wood that have heavy duty dowels that peg into them in an upright position. The racks are made to place in your cupboard to make plates more accessible. They also work great for storing your rotary rulers, and best of all, the 'dish racks' were under $3 in the housewares department.
I have fellow quilter Sue Kahre-Stradford of Platteville, WI to thank for this next hint. While attending one of my workshops, Sue had the niftiest 'travel pincushion': she took an empty Altoids tin and placed a magnet on the inside of the lid. While in class, she placed pins on top of the tin for an instant magnetic pincushion. When it was time to leave, she just scooped the pins off and put them inside the tin for travel. No more pins scattered all over your tote bag when you get home from a workshop! I love it! When putting together my own travel pincushion, I found heavy duty magnets aboutthe size of a half-dollar at the hardware store (2 in a package for a little over a dollar) and the cutest painted tins at a quilt shop that were decorated with pictures of sewing tools. What could be more perfect, and they make darling gifts!
In hand applique, one of the annoyances you might encounter is your working thread tangling on the pins holding your applique shape in place. After you have pinned your shape into position, try turning your unit over and re-pinning from the back, with 1/2" - 3/4" pins (see February's hint on Correct Pinning). Then turn your work over to the right side and remove the pins that are on the right side of the unit. Now all of your anchoring pins are on the back, leaving no heads or points for your working thread to tangle in as you stitch.
Correct pinning makes all the difference in quiltmaking. First of all, use the right pin for the job. Look for pins no fatter around than a size 8 quilting needle. Fatter pins puncture the fabric as well as shift the layers out of alignment.
Next, when stitching your pin into your fabric, always make as small a bite with your pin as possible. A 'bite' is how much fabric you place on the pin. A small bite of less than 1/8" will secure the layers together so they don't shift. A large bite leaves room for the layers to slide up and down the shaft of the pin and get out of alignment. Incorrect pinning is the cause of 90% of mismatched seams in piecing, and distorted shapes in applique.
So many quick sewing machine techniques these days requires us to put tape on the bed of our machines. Having trouble with sticky residue? It can easily be removed by rubbing it with a little peanut butter (smooth, not chunky... chuncky will work, it is just harder to rub on) or Pam Cooking Spray (regular, not garlic flavor... although I am sure garlic flavor would work, but then you would have to deal with the garlic smell...). In either case, put a little of the food item on a paper towel and rub it on the residue. The residue will come right off. Of course, there are also products like Goo Be Gone, made for just such a purpose, but if I have peanut butter on hand, who needs Goo Be Gone??
Having trouble seeing when you machine stitch? Tilt your sewing machine by placing a door stop under the back edge of the machine. This tilts the bed of the machine toward you so you can see your work surface more easily.
I use two door stops, one under the back left corner and one under the back right corner, so the machine is stable.
Threading your needle can be as easy as 1-2-3.
When unwrapping thread from the spool, the leading end of the thread that comes off the spool is the end that goes into the eye of the needle. Cut this end at an ancle with sharp scissors. The tail end where you cut the thread from the spool is the end you knot. This allows you to follow the grain of the thread, rather than working against it.
1. If the eye is difficult to see, place something white behind the needle. The eye will be more visible.
2. It the thread doesn't seem to want to go into the eye of the needle, try spinning the needle around 180 degrees. The eye is larger from one side of the needle than it is from the other side because of the way they stamp the hole in the needle.
3. If 1 and 2 fail to work, instead of licking the end of the thread (which swells the thread), lick the eye of the needle. As the dry thread approaches the moisture in the eye of the needle, the moisture will wick the thread through the eye.
And if these fail, there is always a little gadget called a needle threader.
Hurray for Office Supply Stores! They have the niftiest tools for quilters. My current find is 1/4" grid index cards.
3" x 5" cards are now available with a 1/4" grid printed on them. At first they were great to tuck in my purse to take along to guild meetings and quilt shows, providing the perfect place for a quick sketch of a pattern I wanted to remember.
Now I find that they are a handy ruler to tuck in my sewing box. When I am quilting and want to determine the placement of a quilting line, I can use the grid as a ruler. It's quick and easy, small and portable, and easier to locate than my standard rulers. And if I lose it, there are 99 more in the package!
Thanks to Karen Demaree of Cable Car Quilters, Dubuque, IA, for introducing me to this great tool.
All fabric should be prewashed before use to remove sizing and excess dye from the fabric, as well as to preshrink the cloth before use. To reduce raveling on the cut edges, recut them with a wavy-blade (zig-zag blade) rotary cutter.
If you have to remove stitches from dark fabric and are having trouble seeing the stitches, try drawing over the seamline with chalk. It will make the stitches visible and make the job of removing them easier to see.
When piecing by machine, set your stitch length at 12 stitches to the inch (which is 2.5 if your machine measures stitch length metrically). The real key to determining stitch length is to never make your stitch length smaller than what the blade of your seam ripper can get under.
No quilter should be without a Design Wall. Use flannel or batting as a surface to pat patchwork units in place to audition what piece goes where before you stitch it. It can save hours of ripping to see how well the pieces are interacting with each other before you stitch them together. Try using the back side of a flannel-backed table cloth as your design wall.
Try these tips to solve your problem.
An easy way to add a fine line of accent is to insert piping along a seam line, or as a dividing accent between a border and binding. Examples can be seen in the Gallery on Applique Elegance. This fine line of detailing separates elements of the quilt and adds to the intrigue of the design. Easy to accomplish, piping is made of strips of cloth cut on the straight of grain 3/4" wide.
HINT: To achieve a piping that is uniform in width: Position the basting stitches (step 3) a uniform distance from the FOLD of the piping rather than from the raw edge. Use this basting as a stitching guide when stitching the seam that catches the piping.(step 5)
As a quilter, FABRIC is your most valuable tool. Add to your collection to keep it fresh. Think of fabric as your vocabulary. Without a good vocabulary, you can not express yourself well. Helpful information on how to use fabrics in your quilts can be found in the Fabric Selection chapter in Scrap Bonanza 2, or in my class Fabric Selection Made Easy.